ONCE IN A LIFE TIME NOT TO BE SEEN AGAIN.... UBER-RARE VINTAGE 1960's FISHER ALLEGRA X-19 TUBE AMP+MATCHING TUBE TUNER Fisher Allegro X-19 specs: Integrated Tube Amplifier Power Output 20wpc Tuner Tube Complement 3 x 12AX7, 3 x 6AU6 Allegro FM-19 Wideband Multiplex Tuner Bands FM Stereo Decoder MPX-78

Tube Amp Complement 1 x 6AQ8, 3 x 12AX7, 2 x ELL80 (pair) Dimensions 33"W x 29"H x 13"D Weight 65lbs @ $699.99 for both! The first $699.99 takes both amp and tuner!

ON LINE SALES PAYABLE BY EMT (e-transfer) Shipping is from +$50.00 to anywhere within Canada Arranged daily GTA pre-paid by emt orders can be picked up at Finch and Dufferin area. Best regards, stay safe and healthy with G-d's blessings!

VINTAGE RESTORED 1965 FISHER ALLEGRA X-19 TUBE AMP + MATCHING TUBE TUNER @ $699.99 for both!

Selling a very nice condition fully working restored Fisher Allegro X-19 tube amplifier with matching tuner which originally came out of a wooden console Amplifier using ELL80 / EL95 push pull and is 20W output. The Allegro with the A-19 amp and X-19 tuner made by Fisher in 1965

SPECS: Allegro A + X-19

Integrated Tube Amplifier with matching tube tuner

Power Output: 20wpc

Tube Complement 3 x 12ax7, 3 x 6AU6

Allegro FM-19

Type Wideband Multiplex Tuner

Bands: FM

Stereo DecoderMPX-78

Tube Complement: 1 x 6AQ8, 3 x 12ax7, 2 x ELL80 or can also use EL95 tubes with adaptor

Dimensions33w x 29h x 13d

Total Weight (both amp + tuner): 65lbs

Manual @ FISHER CONSOLES site. a9 and a19 service manual page.html

The first $699.99 FIRM cdn. takes both amp and tuner! ON LINE SALES PAYABLE BY EMT (e-transfer) Shipping is from +$50.00 to anywhere within Canada Arranged daily GTA pre-paid by emt orders can be picked up at Finch and Dufferin area. Best regards, stay safe and healthy with G-d's blessings!

If you can see the bottom right last photo shows what the original console stereo system looked kike Over the years it must have had damaged to the wood and was pulled

THE HISTORY OF FISHER RADIO CORPORATION

Avery Fisher was born in the Yorkville section of Manhattan into a family to whom music was an important part of recreational life. His father, Charles Fisher, a real estate specialist, owned one of the nation's biggest collections of acoustic horn gramophones. The boy Avery was allowed to study the violin as early as he wanted to, which was pretty early. As Fisher grew, so did his proficiency of the violin, often participating as a first or second fiddle at a nearby chamber music concert hall with panies. Despite this musically-bent upbringing, he majored in biology at NYU, then took an entirely different direction for his first profession, a book and typographical designer at Dodd Mead Co, book publishers. Avery became very good at this, designing many successful books, although his desire for music & the ability to electronically reproduce it as accurately as possible got the best of him d us!].

After years of tinkering around with audio circuits in his free time, Avery successfully developed audio equipment capable of outperforming the professional equipment standards of the day. By 1937, his profession (book designing) and avocation (high fidelity) exchanged places, and he founded one of the first panies devoted to developing ponents for home use, Philharmonic Radio Corporation (PRC).

At PRC, Avery ponents of monly high quality, and pany was quite successful from the get-go. However, with the onset of WWII the entire consumer audio and radio industries came to a halt virtually overnight. Like so many panies, PRC shifted its production to that of electronic mechanisms for war. At this time, Avery sold pany to a big corporation, although he continued to direct it through the duration of hostilities. Despite the many horrors the war brought to the world, one of the positive things it contributed was the technical knowledge gained from six years of wartime laboratory research.

After the war ended in 1945, Avery refocused his attention back to music. Armed with his newfound expertise, and a hand picked design team of the brightest engineers of Europe, he incorporated his pany, the Fisher Radio Corporation. Out of a small shop in New York City, Avery Fisher sold custom-made High-Fidelity equipment long before most people knew what that phrase meant. He revolutionized audio circuitry, inventing much of the technology that is widely used today. As word-of-mouth grew, so did Fisher's fame, eventually his equipment became known as the "Rolls Royce" of the audio industry. piled a long list of noble clientele, including heads of state, celebrities, and plished musicians. Throughout the 40's, 50's and 60's, if one wanted the finest in audio, The Fisher was the brand of choice.

pany had changed hands several times over the years. In February 1969, Emerson Electric announced plans to purchase Fisher Radio, initially offering to exchange 736,000 shares in a transaction worth approximately $75 million. Emerson later amended the amount, and agreed to pay approximately $37 million in stock to acquire Fisher. The purchase pleted later that month, on February 22nd. Coincidentally, around the same time of the 1969 acquisition, a trademark request was granted to market pany as simply "Fisher," dropping the "The" from the name. Many people conflate the acquisition with the change in branding, but the trademark request was actually filed by Mr. Fisher in 1965, and held up by other concerns who felt they had the right to use the "Fisher" name. The timing was a happy accident for collectors, who could then discern the age of a piece just from the branding on the faceplate.

Emerson subsequently sold Fisher to Sanyo Electric of Japan in 1975. In 2000, Fisher's entire product lineup was re-branded as Sanyo. Upon the acquisition of Sanyo by (Matsushita) Panasonic in 2011, Sanyo's product lineup was, in turn, re-branded as Panasonic. Avery Fisher remained as a consultant for Emerson and Sanyo, until his passing in 1994.