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Description : 09 Apr, 2023
Duke In His Own Word created from his private archive introduction by Ethan Wayne - Gives readers an intimate look into the life of an American legend. But the letters, correspondence and chronicles that fill this 215-page book prove the Wild West's leading man was much more than another face on the silver screen. He was a loving father, a faithful friend and an unparalleled patriot. Read as John Wayne consoles his kids, jokes with celebrity friends, answers his fans and advises America's presidents in this rare collection of letters straight from the John Wayne Family archives. In addition to mail to and from Duke himself, Duke In His Own Words boasts an introduction by Ethan Wayne and exclusive photos from rare family albums. Filled with emotion, honesty and insight into the man beloved by many, this collection of artifacts doubles as a special time capsule and a must-have tribute. $15
Spencer Tracey A Biography by James Curtis - Spencer Tracy’s image on-screen was that of a self-reliant man whose sense of rectitude toward others was matched by his sense of humor toward himself. Whether he was Father Flanagan of Boys Town, Clarence Darrow of Inherit the Wind, or the crippled war veteran in Bad Day at Black Rock, Tracy was forever seen as a pillar of strength.
Curtis writes of Tracy’s distinguished career, his deep Catholicism, his devoted relationship to his wife, his drinking that got him into so much trouble, and his twenty-six-year-long bond with his partner on-screen and off, Katharine Hepburn. Drawing on Tracy’s personal papers and writing with the full cooperation of Tracy’s daughter, Curtis tells the rich story of the brilliant but haunted man at the heart of the legend.
We see him from his boyhood in Milwaukee; given over to Dominican nuns (“They drill that religion in you”); his years struggling in regional shows and stock (Tracy had a photographic memory and an instinct for inhabiting a character from within); acting opposite his future wife, Louise Treadwell; marrying and having two children, their son, John, born deaf.
We see Tracy’s success on Broadway, his turning out mostly forgettable programmers with the Fox Film Corporation and going to Metro-Goldwyn-Mayer and getting the kinds of roles that had eluded him in the past—a streetwise priest opposite Clark Gable in San Francisco; a edy, Libeled Lady; Kipling’s classic of the sea, Captains Courageous. Three years after arriving at MGM, Tracy became America’s top male star.
We see how Tracy embarked on a series of affairs with his costars . . . making Northwest Passage and Dr. Jekyll and Mr. Hyde, which brought Ingrid Bergman into his life. By the time the unhappy shoot was over, Tracy, looking to do edy, made Woman of the Year. It's unlikely costar: Katharine Hepburn.
We see Hepburn making Tracy her life’s project—protecting and sustaining him in the difficult job of being a top-tier movie star.
And we see Tracy’s wife, Louise, devoting herself to studying how deaf children could be taught municate orally with the hearing and speaking world.
Curtis writes that Tracy was ready to retire when producer-director Stanley Kramer recruited him for Inherit the Wind—a collaboration that led to Judgment at Nuremberg, It’s a Mad Mad Mad Mad World, and Tracy’s final picture, Guess Who’s Coming to Dinner . . .
A rich, vibrant portrait—the most intimate and telling yet of plex man considered by many to be the actor’s actor. $30
In Spite of Myself - A Memoir by Christopher Plummer - Canada’s most celebrated and acclaimed actor lets loose in a magnificent memoir that will delight and enchant readers across the country.
A rollicking, rich self-portrait, the story of a “young wastrel, incurably romantic, spoiled rotten” – his privileged Montreal background, rich in Victorian gentility, included steam yachts, rare orchid farms, music lessons in Paris and Berlin.
Plummer writes of his early acting days – on radio and stage with William Shatner and other fellow Canadians; of the early days of the Stratford Festival in southern Ontario; of his Broadway debut at twenty-four in The Starcross Story, starring Eva Le Gallienne, of joining Peter Hall’s Royal Shakespeare Company (its other members included Judi Dench, Vanessa Redgrave and Peter O’Toole); of his first picture, Stage Struck, directed by Sidney Lumet; and of The Sound of Music, which he affectionately dubbed “S&M.”
He writes about his legendary colleagues: Dame Judith Anderson (“the Tasmanian devil from Down Under”); Sir Tyrone Guthrie; Sir Laurence Olivier; Elia Kazan (“this chameleon of chameleons might change into you, wear your skin, steal your soul”); and “that reprobate” Jason Robards, among many others.
A revelation of the wild and exuberant ride that is the actor’s – at least this actor’s – life. $10
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